The coastal town of Pondicherry is undergoing a rapid transformation regarding homestay. With numerous small to medium-scale accommodations and heritage homes being converted into homestays to cater to a growing influx of tourists. Amidst this crowded hospitality landscape, the project introduces a design strategy that is both rooted and distinctive. Here, architecture itself becomes the prime attraction, offering longevity and identity to the business.
This Pondicherry Homestay is a Blend of Rooted & Distinctiveness | seeders I biophilic architecture studio
The concept was born from a simple yet profound thought that our existence on Earth is, in essence, a nomadic journey. We arrive from nowhere, inhabit this world briefly, explore, connect, and eventually return back to nowhere.
This transient nature of human life, marked by constant movement in search of livelihood, experience, and meaning formed the philosophical foundation of the project. It celebrates the timeless human impulse. Like, travel, discover new places, engage with diverse cultures, and experience the world beyond borders.
The design is conceived as a boutique resort that takes guests on an experiential journey to a different land through architecture. Following an intensive research period of three months, ten culturally distinct regions admired by global travelers were selected and interpreted architecturally.
These include Japan, Chettinadu (India), Mexico, Santorini, Mykonos, Bali, and three conceptual themes. Bohemia (currently the Czech Republic – bohemian style), Nowhere (a philosophical space referring nomadism), and Forest (a nature-based raw retreat).
Each space is crafted with an emphasis on authenticity. Drawing from the original region’s architecture, landscape, culture, materials, artefacts and spatial qualities, translated through a contemporary lens.
Visitors are welcomed by a 10-foot-high gabion wall, embedded with a concealed planter at the top. Cascading creepers from ferrocement planters soften the rugged stone facade, while Mediterranean-inspired planting enhances the base.
The entrance bridge is flanked by a swimming pool and a children’s pool on either side. Here, both are bordered with soft vegetation. Moving inward, the front yard features dense tropical planting and a compact lawn paved with random rubble Kadappa stone.
A winding pebble-stone pathway leads guests through a lush corridor, setting the tone for the immersive journey ahead. This carefully choreographed sequence guides visitors through a layered interplay of vegetation, shifting air, texture, and filtered light. This builds a quiet sense of anticipation with every step.
As the journey unfolds, foliage brushes past the body, air feels cooler, and doorways appear from within the greenery like portals. Here, each one leads to a distinct and immersive world beyond.
The resort presents an ensemble of culturally nuanced spaces. Each room offers an immersive narrative rooted in distinct architectural traditions from around the world. The Japan room evokes serenity through soft mat flooring, handmade paper lighting fixtures, bamboo gardens, and traditional legless chairs.
A unique mix of chopped palm leaves and oxide finishes the walls, referencing the tobacco leaf plastering seen in traditional Japanese interiors. In contrast, the Chettinadu room draws from South India’s vernacular richness. Athangudi tile flooring, a classic poster bed, bell jar light fixtures, and half-white oxide walls form a tactile.
The indoor garden featuring banana trees and areca palms beside the bathtub adds to the homely, tropical sensibility. Earthy and expressive, the Mexico room embraces terracotta tile floors, raw wood furnishings, and clay artifacts, with a curated selection of regional plant species such as aloe vera, banana trees, and dracaenas enhancing the authenticity.
The Santorini and Mykonos rooms channel the aesthetics of Greece through seamless white oxide surfaces, curved roofs, organic shower enclosures, and arched openings. The interiors remain minimal, with sculptural lighting embedded in the walls, casting a soft, dramatic glow.
Morocco, on the other hand, celebrates detail-arched niches behind the bed, a recessed bay window with diwan cushions, tandur stone flooring with subtle motifs, and pink oxide walls define its material language. The planting palette ranges from palms to succulents and cacti, evoking a dry mediterranean ambiance.
Spanning the entire second floor, the Bali suite functions as an expansive indoor-outdoor retreat. Outdoors, a lap pool, open shower, tropical deck, and dense green planters create a lush setting, while the indoor zone with circular bed, reclaimed wooden floors, wavy plastered walls, bamboo railings, and woven mat ceilings anchors the atmosphere in relaxed luxury.
Three conceptual rooms further push the project’s thematic depth. The Nowhere room is a spatial reflection on existential transience. Rendered in black oxide, with leather-finish Kadappa stone floors and diagonally oriented furniture, the room opens up to a quiet rear garden, embracing both philosophical and spatial emptiness.
Bohemia, by contrast, is warm and textural, wooden floors, raw timber headboards, macrame hangings, and rattan lighting create an eclectic interior aligned with the modern bohemian aesthetic. Finally, the Forest room reimagines wilderness in architectural form. A river-like blue mosaic flows through the space, surrounded by rubble stone flooring.
A circular bed with a bamboo headboard, tree trunk furniture, reclaimed root coffee tables, and a western-closet enclosed in a sculpted ferrocement “rock” structure immerse the guest in a raw, tactile environment. Lush vegetation and bamboo plumbing fixtures punctuate the space, deliberately blurring the boundaries between the built environment and the natural landscape.
The west-facing facade demanded a responsive design solution to reduce heat gain. The team developed a custom terracotta screen by threading hollow terracotta bars with steel rods and mounting them on a metal framework. They intentionally avoided any repetitive pattern, ensuring a sense of randomness that echoes the irregularity found in nature.
The outdoor spaces feature an earthy, natural colour palette that reveals nothing about what lies behind the doors, keeping the interiors a complete surprise. Dominated by five key hues, the scheme features dark grey gabion walls, ash green textured exterior surfaces, lush green tropical vegetation, peach-toned pebble stone pathways, and warm terracotta elements, visible in both the pendant jars and the perforated façade screen.
The success of the concept is evident in the numbers. Guests, originally booking for a night, often find themselves extending their stay, intrigued by the promise of discovering another “world” just a door away.
This organically driven habit has fostered high retention and return rates, with many revisiting to inhabit a new experience, rather than a conventional room. Unlike typical short-stay accommodations that see surges only on weekends, this property maintains consistent weekday occupancy powered less by marketing and more by spatial intrigue. You don’t consume the architecture in a single visit, you experience it in episodes.
This reinforces a broader idea: hospitality architecture is no longer just about comfort or ambience. It must become a strategy, anchored in market insight, clear differentiation, and spatial storytelling. Here, the design defines the unique selling proposition, and the experience embeds the branding. “Nomads” serves as a model for hospitality projects that aspire not only to shelter but to stir the soul.
Fact File
Designed by: seeders I biophilic architecture studio
Project Type: Hospitality Architecture & interior Design
Project Name: Nomads
Location: Puducherry
Year Built: 2025
Duration of the project: 2022-2025
Project Size: 10200 Sq.ft
Principal Architect: Dinesh D
Team Design Credits: Sivaranjani S, Archakam Sai Harsha Vardhan & Aakaash M
Photograph Courtesy: ONEBOX
Products / Materials / Vendors: Finishes – Oxide plastering / Wallcovering / Cladding – Brick cladding / Sanitaryware – Jaguar / Facade Systems – Terracotta blocks / Windows –Eiti / Flooring – Yellow jaisalmer / Paint – Asian paints
Firm’s Instagram Link: seeders I biophilic architecture studio
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