• The Largest Terracotta Brick Tile Arched Vault Structure In India | The Grid Architects

    “The sheer ingenuity of structural design and engineering is reflected in every brick cast in the structure. Tarang’s creation comes from an unalloyed motive to explore and reciprocate for the betterment of culture, society, and its people.”- Nishal Sevak(Co-Editor)

    “TARANG” fosters a timeless environment, promoting meaningful dialogue between different eras. Presently the largest terracotta brick tile arched vault structure in India, it is a one of its kind structure: without beams, reinforcement & any shuttering system. Its design evokes a sense of continuity and connection that transcends the present moment, encouraging a dialogue that spans across time. Tarang’s design takes into account the specific context of the South West location and incorporates a remarkable construction technique.

    The Largest Terracotta Brick Tile Arched Vault Structure In India | The Grid Architects

    Visit : The Grid Architects

    The design showcases an innovative and thoughtful approach to address the pressing challenge of sustainable construction, creating a built environment that is environmentally friendly, culturally rich, and visually captivating.

    By employing traditional construction techniques without software or digital tools, Tarang celebrates the artistry of the workers.

    The intervention aims to create a versatile space that accommodates various activities, both within and around the building. Tarang was conceptualized as a dynamic gallery space, meticulously designed to adapt and evolve seamlessly.

    Its purpose is to serve as an immersive exhibition platform where the interiors are transformed into canvases, showcasing the featured products.

     In an effort to minimize the carbon footprint of buildings, the project primarily sources materials locally, with a focus on those that have low embodied energy. The key materials utilized include natural stone, terracotta tiles, and a technique that involves spanning without steel and shuttering or ancillary structures that are typically used to bear the weight of an arch during the building process.

    Additionally, the project places emphasis on upskilling the masons to further promote sustainable building practices.

     The resultant atmosphere, profound and simply elegant, is animated by the changing patterns of light and wind. The formed undulations bring a varied aspects to the viewer’s eyes. The organic structure contradicts the existing edifice of the project.

    Gentle up swells, soft swoops and harmonic waves birth an ambiance of evocative silence, where the light speaks, the wind sings, and the earthenware roofing produces melody. This is “TARANG”, presently one of the largest terracotta tile arch vault structures in India. Its rising arched interiors are pleasantly intimate and familiar, thanks to its form rooted in a biophilic design approach.

    The light and the shadow from the voids and the in-between spaces playfully tease the user, brushing past the corner less realm of walls. The structure engulfs the space, the undulations become the walls, the walls become the enclosure.

    It makes one realize that it’s the parts of the voids and the exposed terracotta tiles in between that make the edifice one. It makes one sway along the meandering shape and smells the naturally exposed terracotta tiles. It merges us with nature as if the built form didn’t exist but was born from the core of the earth itself. This film is a remarkable documentation of the beauty of human creativity, featuring the impressive shapes that elevate the work of art. tHE gRID Architects – the designers Snehal and Bhadri have deftly blended nuanced design with form and functionality to capture the freedom of movement within the structure. 

    The dancers in the film skillfully embody the rhythm of the undulating swells, encapsulating its fluidity and grace with their every move. As the film progresses, it immerses the viewer in an ever-evolving emotional journey, offering a tangible story of an introverted desire for connection that is both visceral and compelling.

    The creative process behind this film was very organic, evolving into a deeply personal narrative that explores the intrinsic human desire for connection. Through its poetic portrayal of this universal theme, the film serves as a poignant portrait of that particular moment in time. Within these architectural marvels, the transfer of feeling occurs through the terracotta material itself, while the interplay of light and shadow animates the interiors, creating pockets of diffused light that are truly unique.

    Remarkably, even harsh climates fail to diminish the mood of the volumes within these structures. Instead, they continue to inspire.  The meditative structure is a perfect example of traditional opulence, embodying a design philosophy that seeks to elevate and dignify space and nature in equal measure.  The interplay of sunlight and shadow within the space imbues the simplicity of the terracotta brick tiles.

    It was only through daily observation of the shifting light and sun movements that we discovered how the space would shape-shift, creating a harmonious and dynamic surrounding. The design process was driven by intuition and a deep desire to understand what space and nature needed to truly elevate and dignify the structure. As a result, the interior spaces just fell into place, perfectly complementing the overall design. One of the great joys of experiencing this structure is the ability to enjoy it in different spaces, during different times of the day with different moods and intentions.

    The space has a tranquil quality that encourages peaceful contemplation, allowing visitors to fully immerse themselves in its beauty and energy. Skilled artisans who possess in-depth knowledge of the traditional building techniques that were once widely used across India have emerged. These craftspeople have accumulated a wealth of wisdom pertaining to materials, tools, and techniques, which is reflected in their skilled craftsmanship. 

    The values of the project are centered around three key principles: a deep respect for Mother Earth and the need for sustainability; a genuine appreciation for the art of craftsmanship and the value of working with one’s hands; and a profound reverence for history and the preservation of cultural heritage. Tarang’s design offers several benefits that are both people-centric and environmentally considerate. The building serves as a valuable asset to society, meeting the principles of inclusive design and promoting sustainability, fostering community engagement and interaction for art and culture.

    Fact File

    Designed by : The Grid Architects

    Project Type : Installations & Structures

    Project Name : Tarang Pavilion 

    Location : Gandhinagar

    Year Built : 2023

    Project Size : 3000 Sq.ft

    Principal Architects : Snehal Suthar & Bhadri Suthar

    Photograph Courtesy : Photographix & Vinay Panjwani

    Structural Consultants : Sankalan

    Firm’s Website Link : The Grid Architects

    Firm’s Instagram Link : The Grid Architects

    Firm’s Facebook Link : The Grid Architects

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