A Brick House Giving Traditional Indonesian Vibes | Andyrahman Architect
Andyrahman Architect strives to fit its working flow with the craftsmen’s flexibility. In the Omah Boto project, craftsmen are invited to be a collaborative partner during the architectural process, so they can feel like a subject that determines the success or failure of the design on the field. They had to re-emerge their spirit as a ‘designer’.
Visit: Andyrahman Architect
During the building process, the client suddenly asks, “How to bring up Indonesia vibes in this house?” This is an interesting challenge for the architect. The site location is near the Pari Temple and Sumur Temple, Sidoarjo, East Java. It reopens the great features of red brick material. East Java, in particular, has a red brick architecture history since the Majapahit Kingdom era which is the materials basic and manufacturing techniques are still inherited to the current craftsmen in Trowulan Village, red brick home industry.
Bricks in Omah Boto became the main element and processed holistically, even as a gene or cell of the building. The brick dimension (5x10x20 cm) is the main measuring standard for all architectural parts of Omah Boto such as sill height, door or window width, and even the room area. So, this is the reason why this house was named Omah Boto, which means Brick House that combined with other Nusantara elements using bamboo, wood, rattan, etc. The existence of this variation forms an inter-material dialogue of Indonesian characteristics.
In addition, some of the brick arrangement in this house is taken from Batik motives. The Parang and Pucuk Rebung motif are used for wall and floor brick tectonics, the Kawung motif on bathroom ceramics, and many else. These patterns or motives applied in this house were obtained from Andyrahman Architect’s experiments. It brings back the main reason for brick usage since ancient times that has an interesting rhythm and character on its arrangements.
The 13th brick pattern in Omah Boto is built with tectonic techniques that require high accuracy. It was all about visual communication between the architect and craftsmen. These 13 tectonic brick constructions are the factor that combines the design precision and ingenuity of the craftsmen who understand the material’s character and quality. “Architect is the one who’s famous outside. While inside, the craftsmen emerge” said Mr. Hasan, the brick project leader.
Omah Boto adopts the Javanese house’s conceptual ideas. There are three main parts of the Javanese house’s zoning: Pendhapa (a public or communal area on the front side of the house), Pringgitan (a transition area in the middle), and Dalem (a private area in the back). It is arranged horizontally in Javanese House. While in Omah Boto, it is arranged vertically. The first floor is for the communal room, the second floor for the living room, and the third floor for bedrooms.
Musholla (prayer room) as a sacred area in this house is a contextualization of the ‘Garbhagrha’ / ‘Guwagarba’. It is applied to the floor, the wall, and the ceiling with brick construction. It reminds people of their origin and purpose in life in the world.
The outer skin of this building is a transformation from ‘Gedheg’, Indonesian hollowed woven bamboo. It is implemented as red brick skin façade, designed to reduce glare, maximizes airflow while maintaining the homeowner’s privacy. This brick tectonic also creates the fourth dimension inside the house along with daylight.
Based on Andyrahman Architect’s experiences, a detail that was made out of collaboration with craftsmen can create a tremendous effect. The design results have more values that different from other designs. Omah Boto brought back the spirit of craftsmanship and admiring the contemporary of Nusantara Architecture.
Fact File:
Designed by: Andyrahman Architect
Project: Omah Boto House
Project Type: Residential
Year of completion: 2019
Area: 325 sq.mt.
Location: Sidoarjo, Indonesia
Lead Architect: Andy Rahman A.
Clients: Mr. Dwi Danang Habibi
Design Team: Imam Prasetyo, Muchammad Ubay, Cipta Hadi, Sulfa Heksania, Maghfira Asri M.
Photography: Mansyur Hasan
Source: ArchDaily
‘ADARSH’ is a testament to luxury, sophistication And discipline. The ‘ADARSH’ is intended to pass on the family values and beliefs to the next generation in a subtle way. ‘ADARSH’ concept is design to reflect the client’s personality and everyday practical need, while at the same time catering to their sense of aesthetics. The right […]
Located in the middle of an urban area of Vadodara, India the site was a linear plot surrounded by houses on the east and west parallel sides. Having an opportunity to design a dwelling with all spaces opening into pockets of vertical voids. An eye striking facade captures the spectator’s vision created from earthy material […]
A single story residence offering the secure sense of home to the family by creating for them a world within itself. This tranquil home in Edathirinji, Kerala, India, is an amalgamation of modern architecture elements into a tropical architecture, giving prime importance to the ‘MAJLIS’ (sitting room) and interactive spaces. Spaces here were conceived to […]
Cantilevered planes and projected volumes fulfill the demand for a sense of openness within the enclosure. This aesthetic courtyard house with lush landscape design offers a calm aura to the users, where materials like brick and concrete are exposed on the elevation to emphasize the character of the house. To allow penetration of natural light […]
The Rajman House by @mdcarchitects rests in a modest plot size of 3500 Sq.ft. The residence of three bedroom, common spaces & multipurpose hall fits in the build form. The architecture elevation is formed by simple material palette of texture surfaces, bold exposed brickwork, long weather shade, metal screen & glass windows. The house is […]
Designed by Zherow Architects, Faza Home is located in the town of Vadakara, Kerala. With a site area of 17 Cents and a built-up area of 3150 sq.ft, the 4-bedroom residence- Faza Home designed with a minimalist style exuding luxury and elegance. The brief given by the client was to design a home that was […]
The square shape of the land allowed us to design places with few pathways and the gaps themselves served as circulation. Because the planning did not call for any partition walls to divide the spaces, we had aesthetically pleasing open spaces designed artistically in this vastu home. The first thing that one sees about the […]
When we talk about small house design, a picture of comfortable living, a cozy corner, and a welcoming environment is drawn in our heads. In India, the small house design trends are leaning towards environment-friendly homes. From inheriting natural light through any medium during the day to focusing on open planning, the simple abode of […]
Vernacular architecture refers to the traditional and local style of building construction that is indigenous to a particular place, culture, and climate. It is a type of architecture that is typically designed and built by the people who will occupy the buildings, rather than by professional architects. Vernacular architecture is often characterized by using local […]
Contemporary House With a Simple Layout | Avasiti Design Gaston Bachelard wrote, “The house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace.” This is especially true of our busy urban life today, where we seek a space for dreaming, away from the hustle-bustle of everyday life. In case […]