As we all know Mumbai consists of one of the largest populations in India, where there are numerous interior designers and architects. It is a hub for people to start out their journeys, not only in design but also in many other fields. This bustling city has provided platforms to a large number of people and, here in a conversation with The Architect’s Diary, Ar. Malvika shares her side of the story of working in Mumbai and establishing The 24th Studio.
Since childhood, I always saw my father create buildings, and huge townships as he was a builder and an eminent name in the real estate industry. Growing up with such an influence, I knew this is what I wanted to do when in the future. I started sitting with him when he discussed plans and concepts with the architects and it really fascinated me. Seeing something you conceptualized and turning into reality is just such an inspiration. This is how I got into the field.
The very first project I got was a friend’s house. I remember the first 3D I designed and that turning into reality was just wonderful.
So, on a personal basis, as cliché as it sounds, is my father. As, he always told me to design a home, not a project. People should feel warm and welcome, and I have tried incorporating this principle into all my designs. In addition, on an architectural level, Geoffrey Bawa is an architect that really inspired me. Also, a very well-renowned architect Ar. Ashish Kambli has really pushed me and mentored me through this process. I always fall back on his advice.
I always end up going for material that resonates with nature. As humans, having any earthiness in your home or office makes it warmer. I always get common feedback from my clients, “We love coming back to this, it feels like our space.”
The pandemic changed the outlook of a lot of people when it comes to interiors as well as architecture. They realized the importance of an architect and how getting their space worked out by a professional makes a vast difference. Also, people have started using their homes more and gave attention to detail. This is something I would always like to keep the same.
The one trend that I love and in fact is now in our field, as well, is the importance of our national art. Every artist, architect, or designer is looking at our roots and getting inspired by Indian heritage and traditions. These details are now reflected in every aspect of design, like the marble inlays, the intricate detailing, the bold colors, the textured terracotta walls, and so on.
As a process, I make it a point to connect with the client personally to understand their taste and what they like. To make it easier for both of us, we as a team, request the clients to send over a few reference images. Now, this is very important for both the clients as well as us, to prevent any future design clashes. We then derive our take on these design elements and come up with a homogenized conceptual design.
We always tend to ask the clients about their budget in the very first meeting. This is of the utmost importance. I have had horrible experiences where the client needs a budget but wants all the expensive finishes. Also, this is something the junior visionaries need to know and understand is, always make sure your Book Of Quantities are accurate.
I have always been an animal lover and a spiritual being along with it. Hence, my dream project would be a holistic center, where both people and animals are treated as an ecosystem.
Collaborations are the way forward in any field. And, I am already collaborating with Ar. Ashish Kambli for many hospitality projects and restaurants.
The most important way to make it big in this field, in fact, any field, is to increase your knowledge, by attending these materials or design expos. This keeps you upbeat and gives you an upper hand over any of the young architects around you. Also, I cannot stress over this more, but get out there and NETWORK!