In today’s fast-paced world, embracing digital technology for modern design has revolutionized the way we approach design. In this episode of IIDA Summit, we’re thrilled to feature Mr. Jwalant, the founder and principal architect of Andblack Design Studio. His design philosophy is deeply rooted in creating robust processes that inform every stage of design, from concept to detailing. At the heart of Andblack’s approach is a commitment to energy efficiency, intelligent systems, and the smart use of natural materials.
Andblack Design Studio, based in Ahmedabad, India, prides itself on a transdisciplinary practice that encompasses architecture, art, furniture, and interior design. Mr. Jwalant emphasizes the importance of continually rethinking and challenging design processes to suit the unique needs of each project. This philosophy is evident in the studio’s diverse portfolio, which spans various scales and complexities.
Throughout these projects, Mr. Jwalant and his team at Andblack Design Studio have demonstrated the power of integrating traditional craftsmanship with modern technology. Whether it’s using CNC machines for precise cutting or relying on the skilled hands of local artisans, the studio consistently finds innovative ways to push the boundaries of design and construction.
This evolution is vividly illustrated by the innovative processes I employed in creating a dynamic wing movement mechanism, which underwent 500 iterations simply by tweaking dimensions. Had this been done by hand, it would have taken several months, but with digital tools, it was accomplished in just a month. This significant reduction in time highlights how digital technology accelerates processes that would otherwise be time-consuming and labor-intensive.
A recurring question I encounter is about the adoption and acceptance of technology in India. Historically, India has been at the forefront of traditional sciences, but in the realm of modern technology, there seems to be a lag. This hesitancy is often rooted in economic factors rather than a lack of awareness or capability. Modern technology, when first introduced, tends to be expensive. For instance, early mobile phones were exorbitantly priced, similar to the initial costs of modern technological solutions in architecture and design.
However, it’s not about a lack of readiness to learn. Artisans, fabricators, and carpenters, even those without formal education, have adapted to using sophisticated software like Rhino, thanks to hands-on experience and a willingness to evolve. The real challenge lies in the economics of adopting new technology on a larger scale. Until technology becomes more commonplace, it will remain expensive and perceived as a luxury rather than a necessity.
When it comes to creating art, the focus should be on innovation rather than societal acceptance. Pushing boundaries often invites criticism, but that’s a sign of progress. If everyone accepted a piece of work without question, it probably didn’t push any boundaries. During my studies at the Architectural Association in London, I experienced this firsthand. While working on a GRC panel pavilion in a historic Georgian Square, reactions varied widely. Some appreciated the innovation, while others felt it disrupted the traditional aesthetics. This contrast in reactions is essential; it signifies engagement and prompts dialogue, which is crucial for any artistic or architectural advancement.
In my recent project, the mechanism for the wing movement was initially diagrammed using Katia, a software known for its precision in handling complex geometries. However, it’s essential to understand that software is merely a tool to facilitate the design process. The core of any project lies in the logic and conceptualization behind it. Even with minimal digital intervention, intricate designs can be brought to life through meticulous planning and craftsmanship.
For instance, while working on projects without extensive digital modeling, we relied on analogous methods, proving that innovation doesn’t solely depend on digital tools. The true essence of design and creation is in the thought process and the ability to adapt and overcome challenges, regardless of the tools at hand.
Digital technology has undoubtedly transformed the landscape of design and manufacturing, enabling us to achieve feats that were previously unimaginable. However, the journey from concept to creation still relies heavily on the human element – the creativity, the logic, and the relentless pursuit of perfection. Embracing both traditional methods and modern technology, we can continue to push the boundaries of what’s possible, creating works that not only inspire but also stand the test of time.
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