From age-old crafts that carry timeless wisdom to contemporary design shaping global dialogues. The spirit of creation has continuously defined Indian cultural and creative legacy. With IND Design 50, we honor India’s design spirit by recognizing its most visionary product designers. The thinkers, makers, and storytellers who are redefining design for our time. This is not merely a list but a cultural statement. IND 50 highlights how Indian designers are reclaiming identity through materiality, sustainability, and innovation, while also embracing global narratives. Each designer featured here represents more than an individual achievement. They embody the larger movement of reintroducing Indianness into design, crafting work that is rooted yet futuristic, traditional yet radical.
At The Architect’s Diary, our mission with IND 50 is to create an authentic platform that documents excellence in product design, amplifies diverse voices, and sets a benchmark for the future. This listicle is both an archive and a provocation to recognize the present, inspire the future, and remind the world that Indian design is a cornerstone of the global design narrative. With INDIE DESIGN 50, we honor those who are shaping culture through design. Their ideas, their journeys, and their works mark the evolution of a new India – confident, creative, and global.
At HSC Designs, “Indianness” is not a motif to be imprinted but a climate-intelligent muscle memory. Expressed through courtyards that breathe, chajjas that shade with an understanding of local climates, and thermal radiation calculations. They translate these vernacular instincts through parametric logic, letting data sketch what tradition already knows. In Re-Crete, their research-by-design furniture line. This becomes tactile: rubble, tile offcuts, and stone katran are transformed into beautiful terrazzo and China mosaic patterns.
Indianness is also circular by culture, as mothers did before, repair, reuse, ju-gaad, which they now scale to address a construction-waste crisis with elegance rather than apology. It is people, masons, mosaic artists, and concrete casters, whose skills they turn into grassroots sustainability, so craft becomes livelihood, not footnote. Built for heat, dust, and monsoon, their pieces are frugal without being spare, repairable, and proud of the newness in their oldness. Rooted in place yet fluent everywhere, they read as contemporary anywhere precisely because they are unmistakably from somewhere. For them, Indianness is a design engine: circular, people-centered, & climate-wise, urban waste reborn as future heritage, intimate with both hand and city.
Since their inception in 2015, Alankaram have become a go-to brand for those seeking exclusive, high-quality, and thoughtfully crafted furniture. Starting from a modest 7,500 sq. ft. workshop with a small team of skilled artisans, Alankaram has evolved into one of the country’s most extensive solid wood furniture manufacturers, operating from a state-of-the-art 200,000 sq. ft. facility. With a diverse portfolio of 800+ unique designs and over 5,000 SKUs, Alankaram is recognized for its ability to fuse aesthetics with functionality. Their commitment to innovation, craftsmanship, and sustainability has established them as a leader in the luxury furniture market.
Each creation at Alankaram is a perfect amalgamation of timeless design, cutting-edge technology, and an environmentally conscious ethos. Their journey began when architect and urban designer Anupriya Sahu noticed a significant gap in India’s furniture market: the lack of highly skilled artisans to deliver contemporary furniture designs rooted in Indian tradition. Along with her husband and marketing expert Dhwanit Parmar, Anupriya set out to fill this gap by creating a furniture brand that combines indigenous craftsmanship with luxurious comfort and modern design.
An evolving design practice, Apical Reform is a collaborative studio established in 2011, led by Amrish Patel and Darshan Soni. As part of a new vanguard of emerging Indian designers, the Ahmedabad-based studio operates at the intersection of art and innovation. The diverse portfolio that encompasses functional art, bespoke art, kinetic art, and parametric design. It reflects the studio’s interest in a continuing journey of experimentation and discovery that is not limited by labels.
Their approach is rooted in a thorough understanding of the environment, as well as the material, purpose, and process. At Apical Reform, their unwavering curiosity and profound passion have propelled the studio’s continuous evolution alongside the creations they bring to life.
At Arjun Rathi Design, the practice is rooted in the philosophy of Light. Form(s). Emotion. They believe design is a process that blends functionality with imagination, drawing from architecture, craft, and material exploration. Each project evolves through research, drawings, prototypes, and collaboration with skilled artisans, creating lighting that is both innovative and timeless. Their practice celebrates the dialogue between the Indian factory and the craftsman, where contemporary design meets traditional techniques, resulting in bespoke pieces that transform spaces and evoke emotion.
Neytt aims to revolutionize how premium lifestyle floor coverings have been explored. Their creations are effortless blends of heritage and modernism. Made mostly by hand, their rugs are the finest specimen of authentic, age-old craftsmanship. They aim to create exclusive sustainable spaces by using exotic raw materials like silk, sisal, seagrass, water hyacinth, lyocell, bamboo silk, linen, and recycled PET. But, besides being functional, it also has to be classy and beautiful. To this purpose, Neytt offers tailored sizes, shapes, designs and borders because they know that every home is different, every aesthetic is different. Based in the southernmost state of India, Kerala, Neytt orchestrated by Sivan Santhosh and Nimisha Srinivas is a recent phenomenon.
Bamboopecker is a design and construction studio working at the intersection of sustainability, craft, and innovation. Their practice is deeply inspired by nature particularly bamboo, cane, lantana, and other natural materials. They bring together architects, designers, artisans, and builders to create a wide spectrum of work: from furniture, decorative lighting, and home décor to installations, green buildings, and immersive spatial experiences. Their approach is hands-on bridging design thinking with artisanal knowledge to create pieces and spaces that are not only functional, but also meaningful, timeless, and connected to the earth.
Beso is a collection of sustainable furniture pieces deeply rooted in the bespoke artisanal tradition. Their innovative products, handcrafted by skilled artisans, are as unique as only handmade pieces can be, reflecting the ingenuity and passion of their creators. They believe the craft sector is the last bastion of meaningful human interaction. It thrives on human touch at every stage of the design process, preserving its significance and uniqueness.
The scarcity of handmade products and the urgent need to revive Indian artisanship inspired them to introduce their collection of timeless furniture. With great ambition, they bring exclusively handcrafted pieces by their dedicated Karigars, who take immense pride in creating each masterpiece. Every piece in their collection is a testament to the artisans’ dedication and skill, offering furniture that is not only beautiful but also sustainable and timeless.
Mangalya Handicrafts, a family-run terracotta and ceramic studio in Kanjari, Gujarat, has been crafting artisanal home and garden décor for 35 years. Specializing in sculptures, planters, murals, and indoor/outdoor ceramics, the studio blends traditional and modern designs using eco-friendly materials. Each piece is handcrafted by skilled local artisans. With customization available, reflecting careful attention to craftsmanship. Celebrating texture, heritage, and the timeless beauty of clay, Mangalya Handicrafts connects traditional artistry with contemporary living. Creating pieces that are functional, aesthetically compelling, and culturally resonant, sustaining both craft and community.
Founded in Ahmedabad in 2017, Bonasila redefines modern greenery with its elegant Fibre Reinforced Plastic (FRP) planters – lightweight, durable, and crafted to endure water, heat, and sunlight. Each piece reflects precision with high-grade finishes and meticulous detailing. From the Newo Collection and Existo Collection to Massio, Marbelo, and Rezelo, Bonasila’s collections offer a wide range of shapes, sizes, colors, and textures. Effortlessly beautifying spaces with a touch of modern sophistication and making every home, office, or hotel.
Conifur is a distinguished furniture brand that crafts pure wood pieces inspired by the rich legacy of Indian art and craft, creating designs that are modern yet timeless. The brand seamlessly blends contemporary aesthetics with traditional roots, offering bespoke furniture tailored to individual tastes and requirements. What began as a journey in niche, custom-made designs has evolved into a commitment to redefining craftsmanship. At the heart of Conifur’s philosophy is a client-first approach, ensuring that every interaction emphasizes quality, service, and enduring design. Their highly skilled team dedicates itself to rigorous research and development, carefully selecting materials, refining finishes, and mastering joinery techniques. Each creation is meticulously crafted with precision. From conceptualization to completion, Conifur maintains close oversight at every stage, ensuring that every piece meets exacting standards.
At Chester’s, Indian artisanship is the foundation of design practice. They draw from centuries-old craft traditions, hand-carved teak, rattan weaving, and leatherwork processed in their local factories, and place them in dialogue with European forms to define ‘India Modern’. They approach heritage as a living practice, continuously adapted for contemporary life. By grounding global design principles in Indian craftsmanship, Chester’s delivers a vision of luxury that is authentic.
CRIO is a multidisciplinary design studio that explores the intersection of furniture, art, and material innovation. Founded in 2018 by Yayati Patel and Vishwa Patel, the studio is driven by a commitment to creating one-of-a-kind pieces. At the heart of CRIO’s practice is high-performance concrete, a material reimagined not for its industrial strength but for its sculptural and aesthetic potential. Each creation celebrates concrete’s versatility while challenging traditional perceptions of the medium. Alongside concrete, CRIO continues to explore other materials, allowing curiosity and experimentation to shape new possibilities.
At CURA HOME, ‘Indianness’ is not about ornamentation or nostalgia it is about rootedness, authenticity, and soul. It is the quiet confidence that design born in India can stand shoulder to shoulder with global icons, while still carrying the warmth of our heritage.
In their practice, this spirit shapes everything from collaborating with local artisans. They merge this cultural sensitivity with modern engineering to create furniture that feels globally relevant yet emotionally familiar. At a time when mass-produced sameness dominates the market, the need of the hour is design. Indianness allows them to tell stories of their land, people, and way of living, through every piece they craft. It anchors them in meaning, even as they look outward to the world.
At Dastkari, they blend imagination and craftsmanship to create timeless pieces that honor Indian heritage. Their commitment to artisanal excellence fuels their mission to celebrate creativity in an automated world, ensuring that each handcrafted object reflects both the beauty of their past and the spirit of innovation for the future.
A workshop which bridges the gap between the designer and the craftsman. With reverence for tradition and a gaze fixed on tomorrow they weave narratives of ingenuity. They intertwine time honored techniques and innovative processes, yielding treasures that stand at the cusp of tradition and innovation. With a talented and dedicated team at its core Dastkari sets new benchmarks in its domain of design.
“Design ni Dukaan” colloquially means, ‘a shop for design’. They are a multidisciplinary studio based in Ahmedabad, Gujarat, focusing on the concept of design in totality and without distinction. As a studio, they deal with design sans scale. This includes architecture, interior design and furniture design projects. They are a community-based practice devoid of the conventional cabins and designations. Their practice is in a constant state of evolution in terms of its structure and the collaborations.
The only constant is, likeminded people and their thoughts converging to evolve a singularity – Design. Rather, it is a collective expression of a person’s experiences, from the profound to the mundane. The studio has designers of different backgrounds coming together and celebrating “design” or the simple act of “creating”. Both these entities work in cohesion to translate their ideas into functional forms.
Founded in 2015, DesignMint is an experimental metal art and decor studio where craftsmanship meets innovation. Their approach blends traditional handcrafting with modern manufacturing techniques to create a diverse portfolio of sculptural lighting installations, bespoke art pieces, functional decor including mirrors, partitions, shelving and much more. Over the years, they’ve developed a distinctive aesthetic that effortlessly traverses the spectrum from minimalist to maximalist designs. DesignMint celebrates metal as their hero material infinitely recyclable and endlessly versatile.
Studio Tali, co-founded by Jinali Sheth and Anvitaa Patil, is a design practice dedicated to reimagining traditional handcrafted furniture with a modern and refreshing approach. Their work reflects a seamless blend of art and function, where every piece is thoughtfully designed to honor craft while embracing modern sensibilities. With a quirky and distinctive touch, Studio Tali elevates age-old techniques into statement furniture. Each creation is envisioned as more than just utilitarian it is created to become a meaningful part of any space, balancing beauty, function, and character in perfect synergy.
Founded in 2016, This and That traces its roots to the 20+ year old interior design practice of Ariane Thakore Ginwala. The search for objects that completed her vision for spaces led to making things that she could only find in her mind. Fascinated by the rich diversity of Indian craft and contemporary sculpture around the world, her innate eye for detail found a match in a carpentry workshop in Ahmedabad. Thus began a collaborative journey where design and craftsmanship constantly challenged each other, traversing geographies, cultures and materials. Winning the prestigious EDIDA award for interior products for multiple collections, This and That has carved a niche for itself in India’s design story.
Morii, founded by Brinda and Kabir in 2019, is rooted in preserving authentic crafts while reimagining their potential as contemporary art. Inspired by her time in Japan and grounded in her NID Ahmedabad education, Morii works with artisans from nine villages skilled in Sujni, Rabari, Jat embroidery, Kutch weaving, and Bela block printing. What began as embroidered garments now celebrated by architects and collectors globally. With stitch libraries, six-month training programs, and deep community collaborations, Morii empowers artisans while crafting narratives of identity and resilience. Today, its vision expands into 3D textile sculptures, installations, and climate-conscious art.
The journey of Hands dates back to 1881. A surprise discovery of an artistically gifted carpet weaving community of Bhadohi, a tiny hamlet in the ancient city of Varanasi, by A. Tellery, pioneered the trend of masterfully created handmade carpets in the country. Over time, the business changed ownership. In 1980s, the Patodia family took over and laid the foundation for Hands as we know it today. A case symbol of the devotion of the artisans who painstakingly work day and night to elevate carpet making into an art form. The handmade luxury carpets and rugs find true expression in ‘art for the floor’.
Every piece is individually produced and handmade in the purest sense to reflect our core values. At the heart of the Hands enterprise is a set of values that really make us what we are. Originality, craftsmanship, transparency, a desire to achieve impeccable quality, and an understanding that every carpet is an expression of individuality.
At Harshita Jhamtani Designs, Indianness is a responsibility. They reintroduce culture, not as nostalgia, but as a living language of today that can stand alongside global responsible future. Each creation balances innovation, artistry, and minimalism, resulting in furniture and design elements that transcend trends. By combining aesthetic refinement with ecological sensitivity. Harshita Jhamtani Designs produces functional art that enriches interiors and elevates everyday living with beauty and purpose.
Zufolo Designs is an online home décor and furniture brand under Zufolo Designs Pvt. Ltd. Founded in 2014 in India by Disha Sharma, the brand ventured into interiors in 2016, starting small with room-based projects. By the 2018, it completed its first turnkey project. Since then, the studio has experienced an incredible journey of growth and evolution. Growing bigger, stronger, and more passionate about its work.
Sahiba completed her Bachelor’s in Architecture in 2012 from Kamla Raheja Vidyanidhi Institute for Architecture, Mumbai. Afterward, she worked for nearly three years at Studio LAB and Abraham John Architects. During her final year of architecture, she conducted an intensive research study on the traditional building crafts of India. These, in turn, inspired ‘Kalakaarihaath’.
They are a home decor brand that uses design as powerful medium for collaborative storytelling. Specializing in wall features, home textiles, and art.
At KAANCH Studio, light is more than illumination it is expression. Blurring the line between art and design, the studio crafts bespoke lighting pieces that transform spaces into immersive experiences. Every creation reflects a delicate balance of craftsmanship, innovation, and imagination. By merging traditional techniques with contemporary aesthetics, KAANCH redefines how light interacts with form and emotion. From sculptural fixtures to large-scale installations, their work embodies technical mastery and artistic soul. With a passion for detail and a pursuit of excellence. KAANCH continues to illuminate spaces with designs.
Anurag Bhandari, the founder of Ek Kalakaar Designs and Priyanka Thaker, the founder of House of Berserk, bring together bold creativity and contemporary sensibilities. While Ek Kalakaar Designs reflects their passion for storytelling through spaces, blending functionality with artistry, House of Berserk serves as a platform of experimental, edgy, and unconventional thinking. Together, their practices embody a spirit of innovation rooted in cultural context yet unafraid to break boundaries. By fusing modern aesthetics and fearless imagination, Bhandari and Thaker continue to push the limits of architecture.
Kirti Jalan Design Studio is a multidisciplinary design practice that seamlessly weaves together timeless craftsmanship and contemporary design thinking. Rooted in sustainability, functionality, and a deeply human-centric approach, the studio creates transformative designs that not only elevate spatial experiences but also foster environmental and social impact. The studio is deeply invested in the revival and evolution of traditional crafts. With a strong emphasis on creating a sustainable and innovative design ecosystem that respects cultural heritage. Every project reflects a commitment to purpose-driven design where aesthetic appeal goes hand in hand with everyday usability. Working primarily with natural materials like rattan and bamboo, the studio reimagines age-old handcraft techniques with a refined, modern sensibility.
KEPH is a multidisciplinary lifestyle design atelier that was born out of a vision to reimagine the familiar through the lens of the unexpected. Rooted in the ethos of experiential design, they approach everyday objects with a sense of curiosity, craft, and quiet rebellion. They are not just designers, rather they look at themselves as urban storytellers. Every creation is a narrative, an exploration of form, material, and meaning. Their work is driven by a passion for tactile honesty, where materials are embraced in their raw, elemental beauty and celebrated for their imperfections.
They seek to challenge the mundane, crafting dialogues between tradition and innovation, structure and spontaneity. Founded in Ahmedabad in late 2018, their portfolio spans across lighting, home décor, furniture, murals, sculptures; basically all things Home! Thoughtfully designed objects that belong in curated, soulful spaces; each piece is conceived not just as a product, but as an experience, one that invites touch, sparks emotion, and lingers in memory.
Bombay Design Lab is a dynamic and innovative multidisciplinary design studio located in Mumbai, India. Founded by Rehan Parikh in 2018, the studio’s core ethos revolves around the art of enhancing spaces through a seamless fusion of interior design and bespoke furniture craftsmanship. This distinctive approach has positioned Bombay Design Lab as a creative force that transcends conventional design boundaries. The driving philosophy of Bombay Design Lab is rooted in two key principles: designs that are timeless yet relevant. This ethos reflects a commitment to crafting spaces that stand the test of time while remaining in sync with contemporary sensibilities.
This philosophy is not limited to aesthetics but extends to the very essence of design itself, where innovation is nurtured through a constant exploration of fresh perspectives. Guided by an unwavering commitment to their clients, Bombay Design Lab works collaboratively, weaving their clients’ visions into every design. Beyond the client’s thoughts, the studio collaborates directly with Indian artisans, enriching every project with the authentic craftsmanship that is steeped in India’s artistic heritage.
At Name Place Animal Thing, they design with a storyteller’s curiosity drawing on people, places, animals, and things to create lighting and furniture that feel familiar yet unexpected. They prioritise timeless form, honest materials, and handcrafted detail so pieces endure both physically and emotionally. From universal designs to handcrafted statement pieces and custom commissions, their work blends utility with a playful sensibility, aiming for sustainability through longevity: objects people love, use, and pass on.
NDS furniture co-founded by Jayesh Mistry, Samip Mistry & Jahnavi Mistry celebrates the seamless union of sustainability and luxury. Every piece begins with reclaimed wood, carrying stories of its past, and is reborn into timeless furniture that exudes character. Organic dyes enhance the wood’s natural textures, highlighting imperfections as unique beauty.
They believe in creating ergonomically refined forms to ensure comfort without compromise a proof that elegance and practicality can exist together. Their collection stands as a testament to design that is not only sophisticated and enduring but also deeply eco-conscious, where artistry redefines modern luxury with purpose.
Jade Design Q stands as an emblem of opulence in the realm of decorative lighting, meticulously crafted by the visionary Manasi Jade and headquartered in the vibrant city of Mumbai, India. As the creative helm of the enterprise, Manasi assumes the roles of both architect and product designer, channelling her fervour for innovation into the exploration of diverse materials and techniques. Their journey that embarked in September 2019, has been a source of profound gratitude and blessings, marked by the successful completion of over 500 projects.
Witnessing the metamorphosis of their conceptual sketches and 3D visions into tangible, radiant creations brings us unparalleled joy. Driven by inspiration, they are committed to fashioning exclusive designs and tailoring each piece to the discerning tastes of our esteemed clientele. Their ambition is to transform the aspirations of clients into reality, consistently striving for their happiness and satisfaction. Operating on a global scale, we undertake the design, manufacturing, and installation of lights worldwide.
Studio Works is a detail-driven, innovative forging and process-loyal furniture design practice. The studio channels its strengths towards achieving ‘distinctiveness’ in its designs while ensuring they offer uncompromising comfort to the human form. As a contemporary Indian practice, Studio Works is deeply rooted in its context. Through subtle design decisions, the practice corresponds to how culture impacts usability and human activities around furniture. In a world of constantly evolving programs and functionality, its pieces are designed to sink into a variety of spaces.
Soch, founded by Romit Savla, is focused on designing products related to interior furniture, such as chairs, dining tables, sofas, loungers, chandeliers, swings, hanging lights, and more. Their line of interior products is constructed in-house by their woodworking team, who are skilled at crafting fine pieces of furniture with minute detailing. There is extensive research done into the quality, sourcing, and selection of wood, as well as ergonomic studies to understand each client’s specifics and requirements for a perfect piece. The company plans to expand its design expertise into fashionable and functional products, including bags, fashion accessories, and travel accessories, that demonstrate scalability and functionality. Therefore, any object that meets the criteria of product design has the potential to be explored by the company.
Onebytwo is envisioned as a furniture and lifestyle product brand. They aim to design furniture and lifestyle products that address and celebrate the subconscious ways of living. The idea is not just to build a brand but to create a community that collectively works towards producing ‘The One.’
It takes two to tango! but for all the right reasons at Onebytwo. At every step they strive to create aesthetic, affordable, yet unique designs by bringing together more than one. All their products are a result of more than one use case, material, or a collaboration with other artists or designers.
Oorjaa is a Bengaluru-based design studio that creates lighting using material innovation, circular design, and sustainable craftsmanship. Since 1998, the studio has explored the tactile and expressive potential of handmade paper, plant fibers, and reclaimed materials, crafting lighting pieces that are as thoughtful as they are striking. What sets Oorjaa apart is its commitment to mindful making. Every piece is handcrafted in small batches using natural materials and waste matter, from banana bark and lokta fiber to upcycled cork and concrete dust. The studio’s practice is rooted in circularity not only in materials but also in the design process itself, where each object is imagined with longevity, utility, and impact in mind. Oorjaa’s collections range from pendant lamps and floor lights to wall sconces and sculptures. Each carries a quiet strength, organic forms that hold space gently, casting warmth, texture, and story into every corner they inhabit.
The journey started with a thought, what if metal could fold like paper? Inspired by the art of origami, ORI was born from the vision to transform rigid metal into elegant, purposeful forms. Years of experimentation led to a breakthrough: precise perforations that allow metal to fold without losing its strength. These perforations do more than shape, they filter light, casting delicate shadows that make each piece feel alive, almost magical. The result is a collection of well-designed, practical, and artful furniture, lighting, and accessories that balance opposites: Hard and soft. Minimal and expressive. Functional and poetic. Every fold tells a story. More than metal, ORI is design in motion, folded into dreams.
Project 810 (est. 2013–14) is a New Delhi-based design studio rooted in contemporary India, drawing inspiration from the world. It is a holistic practice dedicated to creating memorable spatial experiences. The team includes interior designers, furniture designers, and architects. From crafting detailed pieces of furniture to building expansive interiors, their strength lies in the flexibility of their expertise. Their collaborative approach enables them to work across a range of scales and project types, including residential, retail, hospitality, workspace, and furniture design. Vritima is a graduate in furniture and interior design from the prestigious National Institute of Design (NID), Ahmedabad. Her education at India’s premier design institute has fostered a deep connection to the Indian context, enabling her to create spaces and furniture that are contemporary yet resonate with our cultural identity.
Radhika Sanghvi, a Mumbai-based artist and designer, transforms everyday materials such as wood, reed, and paper into gravity-defying, illuminated artworks that bring empty spaces to life. Each handcrafted piece is a meticulous blend of form, light, and movement, engaging the viewer’s imagination and creating captivating illusions of motion that extend beyond physical boundaries. Her work has been featured across private residences, commercial interiors, and exhibitions, reflecting a mastery of materiality, precision, and spatial storytelling.
Radhika’s sculptures celebrate simplicity and craftsmanship, transforming ordinary materials into immersive experiences that invite exploration and emotional connection. By manipulating light and shape, she creates environments that are not only visually striking but also experiential, encouraging viewers to engage with the interplay of artistry and space. Through her innovative approach, Radhika Sanghvi continues to redefine contemporary design, crafting works that are functional, poetic, and visually enchanting, while elevating the everyday into a magical encounter.
Rhizome, founded by Dr. Rebecca Reubens and co-led by Col. Rohit Tyagi, operates at the intersection of sustainable luxury, craft, and design. Reubens, an alumna of NIFT Delhi, NID Ahmedabad, and Delft University, brings over two decades of expertise in bamboo and sustainability, while Tyagi contributes 22 years of strategic leadership from the Indian Army. Together, they guide a passionate Ahmedabad-based team across furniture, jewellery, and consultancy projects. Committed to innovation, education, and operational excellence, Rhizome blends craftsmanship, research, and sustainability to create meaningful, high-quality products that reflect a conscious and responsible approach to luxury and design.
Indianness lies at the heart of Tusker Katha, shaping not just its products but its philosophy. Rooted in the country’s rich traditions of craftsmanship, Tusker Katha draws inspiration from India’s timeless design sensibilities, cultural stories, and artisanal heritage. Every piece created is a reflection of the values of authenticity, resilience, and artistry that generations of Indian makers have nurtured. For Tusker Katha, Indianness is not just an identity it is a responsibility to preserve and celebrate the skills of local artisans and the country’s rich culture, while adapting them to contemporary needs. By honoring traditional techniques and integrating them with modern aesthetics, the brand ensures that each creation carries a sense of cultural continuity.
This connection to Indianness also fosters sustainability, as the brand embraces natural materials, ethical practices, and handmade processes deeply ingrained in Indian craft traditions. It gives Tusker Katha a unique voice in a global market, where storytelling and rootedness add depth to design. Ultimately, it anchors the brand to its origin, fuels innovation through heritage, and allows Tusker Katha to share authentic pieces of India with the world.
At Rock Paper Scissors, Indianness in design is defined by an approach to materials and making. This is evident in their use of discarded plywood waste. By working with what is left behind in industrial production, they focus on resourcefulness, adaptability, and material intelligence, values that have long defined the Indian way of creating. Their pieces, whether lamps, furniture, or everyday objects, are simple in form, globally legible in design language, yet grounded in the practical decision to reimagine waste.
Indianness matters because it reminds us that design is not just aesthetic but responsible; it carries forward a tradition of making the utilitarian beautiful and the beautiful durable. In a time when sustainability is often framed as a new concern, Indian design demonstrates that frugality and reinvention have always been part of their cultural DNA. For Rockpaperscissors, using plywood waste is not only about reducing impact but also about expressing a contemporary Indian voice – one that is understated, relevant, and confident.
Founded in 2011, Rooshad Shroff is a boutique firm based out of Mumbai, India. With an established practice across the design spectrum, from architecture to interiors and bespoke furniture, the studio has carved out a niche for itself based on the philosophy of integrated design, with a special focus on artisanry and high-end luxury. Cultivating an intimate work ethic, which offers clientele the utmost attention and confidentiality, is an absolute prerogative, as is prioritizing quality over quantity of work.
Collaborating with artisans across the country, RS champions the cause and romantic appeal of he handmade, investing considerable time and effort into extensive research and experimentation with centuries-old techniques to introduce novel products and finishes through tailored solutions. This modus operandi typically commences with a furniture line as the testing point of craft focus, which then translates into interiors and techniques borrowed for the creation of finishes. The desired result is a manifestation of these elements within every aspect of a designed space, from furniture to wall cladding.
Sage Living is dedicated to shaping furniture that resonates beyond its form. Their practice is rooted in exploring contrasts: memory and modernity, intimacy and presence, and silence and strength. Each creation begins with an inquiry into material potential and is realized through the mastery of skilled makers, resulting in objects that feel timeless yet relevant. For them, design is not about chasing trends but about creating resonance, furniture as modern heirlooms, and carrying stories and emotions that connect people, places, and cultures.
Sangaru Design Objects, founded by Sandeep Sangaru, is a manufacturing firm dedicated to co-creating with skilled artisans to produce innovative furniture. Sandeep is pioneering the transformation of traditional and overlooked materials, giving them a contemporary facelift. Guided by his nomadic spirit, he traveled to North-East India to design the bamboo-based furniture line “Truss Me” and drew inspiration from Kashmiri craftsmanship to create the “Kashmiri Pinjra” series of lamps and shelves. His latest venture in Channapatna features a collection of chairs. Sangaru’s practice celebrates archaic crafts while reinterpreting them for today’s market and evolving design sensibilities.
At Shailesh Rajput Studio, storytelling is at the heart of creation. Each design harnesses the interplay of light, shadow, and nature’s brilliance to evoke emotion, spark curiosity, and inspire reflection. Beyond lighting fixtures, our works connect deeply with people, celebrating the wisdom of our environment and roots.
Every creation is a chapter in a larger narrative of living in harmony with nature, crafted with dedication, innovation, and passion. By exploring the intricacies of the natural world, our designs illuminate spaces and minds alike, transforming interiors into experiential stories and fostering a profound dialogue between design, nature, and human perception.
P.O.D an abbreviation for Pieces of Desire is an artisan based design studio exploring a seamless transition between art and functional objects with a conscious attempt to promote locally made products with a keen focus on details and craftsmanship. Design is omnipresent and it touches each nd every aspect of being and becomes an inherent part of our lifestyle. What we design is not merely to please the eye but to evoke an emotion, a response to the shapes, materials, textures and colors. With every collection we want to push materials we use, their properties, their forms, shapes, utility to create these.
Tectona Grandis Furniture, founded by Dhruvkant Amin and Jalpa Amin in Ahmedabad, creates sustainable, nature-inspired furniture from reclaimed teak wood. Blending contemporary design with traditional craftsmanship, the studio produces chairs, tables, sofas, and beds that are durable, comfortable, and visually striking. With in-house manufacturing, eco-friendly finishes, and expert hand-crafting, Tectona Grandis emphasizes originality, quality, and customer satisfaction. Each piece reflects thoughtful design, balancing bold aesthetics with functional elegance. By merging sustainability, artisanal skill, and innovative design, the studio delivers timeless, eco-conscious furniture that enhances spaces while honoring both craftsmanship and the environment.
FormForge is about exploring how design, technology, and craftsmanship come together in unexpected ways. It started as a pursuit of pushing material boundaries, experimenting with metal, understanding its possibilities, and finding innovative ways to shape it into functional and artistic forms. Over time, the journey has been about problem-solving, refining digital fabrication techniques, and constantly challenging conventional approaches to design. Every piece is an exploration of structure, balance, and expression, where technology isn’t just a tool but an enabler of creativity. The process is always evolving, driven by curiosity and the desire to create work that feels both timeless and forward-thinking. They operate at the intersection of art, architecture, and engineering, where sculptural intent meets digital precision. Rooted in material truth, their work moves fluidly across disciplines.
Thumb Impressions was founded in 2013 as a multidisciplinary design practice of socially, environmentally, and economically conscious individuals believing in architecture as a collective endeavor. The firm is organized into three distinct but complementary verticals: Architecture Design, Furniture, and Build. This structure allows them to deliver comprehensive design and construction services, from conceptual development and technical design to the creation of custom furniture and precise execution on-site. By integrating these services under one roof, the firm ensures a seamless workflow that maintains design integrity across all stages of a project. They are a diverse team of architects, urban designers, engineers, and artisans who collaborate closely to bring a wide range of perspectives to each project.
As self-taught designers and artists, Nitush and Aroosh have evolved with each project, pushing the boundaries of their creativity. With a portfolio boasting over a thousand successfully completed projects, their design trajectory now ventures into the captivating realm of sculptural furniture and objects. At the core of their artistic prowess lies an extraordinary mastery of manipulating stainless steel, an art form that transcends the conventional. Drawing inspiration from the rich tapestry of Indian metal craftsmanship, they weave a narrative that combines tradition with innovation. The result is a collection of truly unique objects that effortlessly command attention, transforming any space into a gallery-like ambiance.
Timeless architectural features, such as courtyards, are always associated with bringing the naturally public forms to the world’s heart, building the most peaceful, secluded outdoor areas. These outdoor spaces maximize the living experience with their private space feature, which gives one the option for leisurely relaxation, recreation, or gardening. Furthermore, it has also been a […]
Architecture font choices go beyond style—they shape how your work is perceived. From portfolios to presentations, the right architecture font instantly communicates clarity, precision, and personality. As architects, we design not just with space but with every detail, including typography. Selecting a strong architecture font shows your commitment to visual storytelling and design consistency. In […]
Looking to make a lasting first impression? Your main door design is more than a point of entry, it’s the gateway that reflects and enhances your home. In this blog, we dive into 50 stylish door design concepts that blend style with functionality, from innovative materials, classic styles, and intelligent lock systems that provide convenience, security, and refinement straight to your front door. 1. Fluted Wooden Doors A combination of smooth fluted surfaces and deep wood grain, this modern door brings subtle drama to the entrance. Upgraded with a clever lock, it combines modern security with classic style. 2. Geometric Patterns The geometric element of the safety grill and […]
The Indian farmhouse accommodation goes on to capitalize on a mature evolutionary synthesis of ancestral aesthetics and contemporary features. With this, the outside and the inside of farmhouses became places of comfort with nature. In this blog, we delve into 15 incredible farmhouse designs that entail a harmonious blending. While they exhibit different spaces in […]
When it comes to enhancing the kitchen window over the sink, various design ideas are possible to decorate Indian homes. From rooted in tradition to Western-style modular kitchens offer both functionality and attractive aesthetics. Apart from the sleek profile and raised breakfast counter, the kitchen window over sink is another spot to add appeal and […]
In Indian homes with dynamic spaces, identification of standard interior door dimensions can have a positive impact on space optimization. First impressions matter, right? Beyond spaces inside the homes, doors carry long-time impressions through various panel sizes, intricate details, and more. While most of us remember the material and design, we tend to forget the […]
Indian homes place equal importance on pooja room door designs as they do on main door designs. With diverse and unique ethnic backgrounds, every family strives to reflect their personalities and identities in their designs. These identities can encompass religious or spiritual interests, local contexts, or other personal elements. This series of blogs, featuring 50 […]
The door design for main door is a defining feature of any Indian home, embodying both style and cultural significance. In a country rich with diverse architectural traditions, the entrance to your home reflects not only personal taste but also cultural heritage. Whether you’re drawn to the intricate carvings of traditional Indian door designs or […]
Pillar design is a cornerstone of architectural elegance, seamlessly blending structural support with aesthetic appeal. Our blog, “50 Best Pillar Design Inspirations,” celebrates this essential element, showcasing a variety of styles from classical Doric and Ionic to contemporary and avant-garde innovations. Whether you’re an architect, interior designer, or a design enthusiast, these pillar design inspirations […]
Wall Moulding Design is a great way to amp up your space and elevate the overall look of your home. There are a wide range of moulding designs that can add a distinct character to your space. Wall moulding design comes from different kinds of materials, such as PVC, plaster, wood, etc. The right choice […]